Battle of Ideas

Class Power on Zero Hours

The book is the culmination of six years of “getting rooted” in Greenford in West London. It documents in workers’ enquiry style some key jobs and the lives of the supporters and organisers of the Angry Workers of the World (AWW) have been doing while based in an area of West London that has an extensive history of class struggle, but not an area of London that is heavily populated by the organised left. It also seeks to lay down a kind of manifesto or programme for others to consider “getting rooted” as well.

Socialist Worker on "The Lobby": half a step forward

Socialist Worker half-breaks from its previous attitudes to tell readers that seeing "the Israel lobby" as super-powerful in world politics is an antisemitic idea

"Continuing to believe [criticism of Corbyn inside Labour is] all simply orchestrated by an 'Israel lobby' can lead you down some very dark paths… It can lead to antisemitic arguments".

Marcus Garvey and the socialists

When in our predecessor paper Workers’ Action (no.117, 1978) Colin Waugh wrote about Marcus Garvey he noted, I think rightly, that Garvey is a figure known now more by reputation than by belief. In the recent Black Lives Matters demonstrations, “Garveyism” as an entire political outlook has certainly been marginal. But “Garveyite” beliefs persist. His legacy is probably more readily accessible to people in the popular consciousness via Roots Reggae and Hip Hop.

Hitler's unwilling citizens

The resistance to the Nazis from within the German working class itself is a subject much overlooked in mainstream narratives around World War 2. The typical narrative that most people in Britain will come across is one of a relatively homogenous fascist population (minus Jews, homosexuals, Romanis, disabled people, etc.) that was overcome by the “good guys” of world politics at the time, chiefly Churchill and his plucky band of Brits. So the myth goes.

Black culture and resistance: the Harlem Renaissance

One hundred years ago, an arts movement was forming in a mainly-black district of New York City. Later known as the Harlem Renaissance, it was primarily cultural but also inescapably political. Literature, poetry, jazz, theatre, sculpture and more articulated the lives and demands of African-Americans no longer willing to be grateful that they were no longer enslaved.

O black and unknown bards of long ago.

How came your lips to touch the sacred fire?

How, in your darkness, did you come to know

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